The Gourd: A Sign of Christ’s Resurrection
& Man’s Penance
The apple alongside the gourd
Madonna with the Child – The apple at the top right; the gourd at the top left – Sin and resurrection
Carlo Crivelli's Madonna with the Child shows the apple (top right) as the symbol of Sin or Death and the gourd (top left) as the Resurrection. In fact, Crivelli used the apple-gourd motif so often in his paintings that it has been called his “signature motif.” In his 1486 painting title The Annunciation with St. Emidius, we find the gourd and the apple at the base, again representing the Fall and Redemption that will be won for mankind through the fiat of Our Lady.
Modern man easily understand why the apple represents the Fall of man. But, why would the gourd be a sign of man's redemption?
The gourd associated with Jonah, a prefigure of Christ
By association the gourd was linked to Jonah, an Old Testament prefigure of Christ. Here is the well-known story:
Jonah was told by God to go to Niniveh (in present day Iraq) to prophesy the destruction of the city and all its inhabitants for their idolatry and evil ways. Trying to escape the divine mission, Jonah took a ship sailing to Tarshish. During the journey a storm arose, and Jonah was thrown by the crew into the ocean where he was swallowed by a whale. He remained for three days and three night in its belly, and then, the great fish ejected the prophet out onto the shoreline.
Jonah under the gourd tree
Jonah was then ordered again by God to go to the great city of Niniveh and warn the populace that God would destroy their city in 40 days, a command he duly followed. The King and people, however, heeded his warning and atoned, making acts of sacrifice and prayer, and God spared the city.
Jonah, who had withdrawn from the city and was awaiting the punishment to fall, was displeased at God's mercy showed to Nineveh. Overheated and weakened under the hot desert sun, he found respite under a gourd plant that God made grow overnight to provide him with needed shade.
The next day a worm attacked the plant, causing it to wither and leaving Jonah distressed. Then God rebuked Jonah for being upset over the loss of the gourd that "came up in a day and was lost in a day," a trivial thing compared to the loss of the lives of 120,000 Ninevans.
Instead of sorrowing over God's mercy, Jonah should have rejoiced that they were saved because they heeded his admonitions. For Jonah went to Nineveh for its salvation as Christ ascended to Heaven to make the New Jerusalem. The gourd thus represents the new life to be enjoyed by the people of Nineveh after repentance and deliverance from destruction. The worm is Jonah's bitterness over the salvation of his enemies.
From the early centuries we find in many Catacombs paintings of the story of Jonah being cast up to shore by the whale and then reposing under a bush covered with long-shaped gourds on a hill outside Nineveh. Also, Jonah – who was reproved by means of a gourd vine – is sometimes identified among the prophets by a gourd.
Penance on our earthly pilgrimage
The Church placed the lesson from Jonas the Prophet (Chap III) in the Epistle of Monday in Passion week to remind Catholics of the transient nature of earthly pleasures and the importance of perseverance in our penances and mortifications.
Staffs with their shells and gourd bottles for pilgrims on the Road to Santiago
Thus it became a custom for a pilgrim to the holy places to hang on his staff a hallowed gourd, which was used as a flask to carry water. The hard-shelled but perishable fruit – which "comes up in a night and perishes in a night" at the Lord's command – signified the transience of earthly life and its pleasures.
In time, the rod and calabash gourd bottle became identifying symbols of the pilgrim on the Camino de Santiago (Road of St. James). It also became common to represent the Archangel Raphael who accompanied Tobias on his journey with the pilgrim's staff and rod with the gourd flask.
The spat of St. Jerome & St. Augustine
To close, I will deviate a bit to recount how our lowly gourd became the central point of contention between St. Jerome and St. Augustine.
Dürer portrays the gourd in the right top of his famous engraving, St. Jerome in His Study
Now, Jerome was attacked fiercely for this alteration by many scholars. The controversy intensified after St. Augustine, who followed the Septuagist and Syriac readings, entered the debate in 403 with gusto. Indeed, it reached the point that Augustine stopped the reading of St. Jerome's Vulgate throughout his diocese, not hesitating to judge this translation of the word into ivy as a heresy. Jerome issued a lengthy commentary devoted to the verse defending his translation with his customary satirical vehemence.
In the end Augustine's view prevailed. The Renaissance humanist artist Albrecht Dürer memorialized Jerome's acquiescence in the philological controversy by etching a large dried gourd hanging from the rafters in his famous engraving St Jerome in His Study, a picture so filled with symbols it would merit an analysis on its own. A great admirer of St. Jerome, Durer was praising his humility in ceding way in that famous spat.
Posted April 13, 2020